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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell alongside Marc Almond in Leeds in 1977

Dave Ball, one half of the pioneering 1980s synth-pop duo Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the pair achieved a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their debut album their initial full-length release is considered a classic of electronic music.

He later formed the innovative electronic act The Grid, who achieved popular acclaim with their 1994 single Swamp Thing.

Ball passed away peacefully in his sleep at his residence in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.

Recent Health Challenges

During that performance, Ball performed in a mobility chair, as he had for the last two years, after a period of ill-health.

"I ended up injure myself quite a bit," he stated in a recent interview. "I broke spinal bones in my back and cracked about multiple ribs and broke my arm."

Following catching pneumonia and developing sepsis, he was placed in an induced coma and stayed in the hospital for seven months.

Nevertheless, he had been in "a great place mentally" over the warmer months, as he was developing a fresh record with Almond, titled Danceteria, which is scheduled for publication next year.

"He was concentrated and so happy with the latest project that we actually completed only a few days ago," said the singer in a heartfelt message.
"It's so sad as next year was all set to be such an positive time for him, and I find comfort from the fact that he listened to the completed album and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the early 1980s

Tributes

Almond described his bandmate as "an exceptionally talented creative mastermind", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Many thanks Dave for being an immense part of my life and for the songs you created with me. I couldn't be where I am without you."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "endless laughter" and "unwavering friendship".

"Being in a partnership with someone is different from being in a band, the bond is incredibly close," he continued.
"That was the case with us. We went through so many extraordinary, extraordinary, memorable experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in 2018

Early Life

Brought into the world into a single-parent household in the city of Chester in the late 50s, Ball was put up for adoption when he was a year and a half of age.

He grew up in Blackpool with his new family Donald and Brenda Ball, who changed his first name from his birth name to David, together with his younger sister his sister, who was similarly welcomed.

He met Almond at Leeds Polytechnic in 1977, where they were both studying fine arts. Inspired by a shared love of Northern Soul, they formed Soft Cell the same year, and quickly produced an extended play.

Creative Collaboration

The pair were an unusual pairing: Ball was the quiet technician, hunched over his keyboard, while Almond was a flamboyant performer, all sparkle and makeup; but they attained a unique musical alchemy.

Ball had cultivated a interest with synthesizers after viewing Kraftwerk perform on a television science show Tomorrow's World, and began to combine moody electronic sounds to the soaring melodies Almond was writing.

Their signature song became the UK's second biggest-selling song of the early 80s, selling 21 million units globally. Together with hits by Gary Numan, contemporary bands and electronic acts, it contributed to paved the way for the synth-pop sound of the 80s.

The track was also included on their full-length debut, Non-Stop Erotic Cabaret, which produced two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The duo were working on new material right up until Ball's passing

Professional Journey

Fame had its benefits. "I enjoyed being able to purchase my initial property, having money and exploring, which makes me sound like a Miss World," Ball not long ago shared with a music magazine.

But it also presented challenges. "Sudden riches allowed we could afford newfound drugs to alleviate the boredom" of media interviews and TV performances, Ball said.

"I realize that's a cliché, but it's a cliché for a valid cause, because it applies for so many bands."

Amidst the hedonistic lifestyle, the pair were also growing distant, but they managed to produce a second classic album - the wayward, tense and aptly-titled The Art Of Falling Apart.

They released one more LP, their 1984 release This Last Night In Sodom, before dissolving the group to concentrate on other projects.

Almond went on to have a prosperous solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with melodic sounds over a long-lasting partnership.

Later Work and Comebacks

Soft Cell came back together in 2001, producing the charting record Cruelty Without Beauty.

Following another hiatus, they returned in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the O2 Arena on 30 September, 2018.

Yet, they stayed active, recording their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately characterized the band's new album as a homage to the NYC nightlife they frequented while recording their initial records.

He noted that his time in medical care had shaped the band's sound.

"I had strange recollections when I was in and out of hospital because I was on pain medication," he told a music magazine.
"The new songs are a digital reflection of the noises in my mind from those days.
"In parallel, it's about the experiences me and Marc got up to in the 80s."

The final mixes were completed only a short time before Ball passed away. It is scheduled for release in the spring of 2026.

About the author

Alexander Nelson

A linguist and writer passionate about exploring how language shapes culture and communication in the digital age.

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