That Floating Poo Was Way Too Meaningful! These Are the TV Letdowns of the Year.

As we consider the television offerings of the past year, a selection of shows emerge not for their brilliance, but for their spectacular shortcomings. From awkward spin-offs to bafflingly poor documentaries, here are the productions that left us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive follow-up? Burdened with woeful scripts, cringe-inducing character development (justice for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show struggled to justify its existence. For a moment, as the third season started, it looked like it had at last found its groove. Then arrived an installment all about Seema’s natural deodorant. Little surprise the showrunner declared this would be the last series. It concluded on a low point; the closeup of Miranda’s loo flooded with poo was just way too symbolic. Still, fans undeniably found joy picking apart every single “what on earth?” episode. And as Carrie – once again single – twirled around her sprawling townhouse to Barry White, who didn’t let out a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was practically the smallest of this show's issues. The recipient of a very rare no-star review, it was difficult to know where to begin enumerating the flaws. The hilariously wooden writing? The tedious veneration of wealth and consumption? The seemingly deliberate procession of cliches? Acting so bad they felt borderline malicious? Let’s just say “each and every one” and never speak of this series again. However, a second season has been ordered, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, abuse allegations and fatherly shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d really have known it from this three-part documentary which chuckled along at Sheen’s various episodes of reckless hedonism while struggling to tell us a single thing we weren't already aware of. Instead, it felt as if this volatile personality was being pandered to, so any pity this series might induce should be saved for the people who have had to suffer close contact with this charismatic but flippant egotist.

The Supercomputer Drama

Of course we understood it was preposterous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of sheer admiration for its leads … but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

MobLand

Dodgy figures convening in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is unfair on the crime shows of the late 90s. Many look a bit dated now, but at least they didn’t suffer the embarrassment of having to accommodate unconvincing dialects. But there were many other problems. Mainly that it was just really dull; a conflict over narcotics territory between various London rogues which seemed rather simplistic.

The Meghan Markle Series

Considering the extent to which she grinds the gears of the nation’s ostentatiously angry commentators, it’s almost easy to applaud the Duchess of Sussex’s televised forays into quaint homemaking as deliberate provocations. But then you view them and are forced to admit that actually, they might have a point. It’s like watching a homeware magazine animated; a poster for evening drinks with ideas of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental platitudes and forgettable crafting “tips” you’ll forget instantly. All underpinned by immense, largely undeserved wealth. Ugh.

The Beckham Documentary

There are clearly fascinating things to be discussed about both Victoria Beckham and her journey with career, self-image, self-worth. But for some reason, this documentary series chose not to say them. Instead, the viewing was akin to reading a marketing catalogue. She obviously has every right to bridle at what she describes as her “miserable cow” image. But sadly, she didn’t do herself any helps with this guarded letdown of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even more extravagant, with a glamorous star playing dead and a well-known personality managing her inheritance. What more could you want? As contestants battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s still too confusing to explain what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The series ended up reeking of a production that was trying way too hard to live up to something way beyond it.

The Lena Dunham Romcom

How do you succeed a show that defined a generation? The expectation was enormous for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The lead actress took her biggest role by the horns and was a delight to watch, reveling in Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was not enough. Plus, the sheer amount of celebrity cameos involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the smart recruitment of talented emerging comics, hopes were high. But sadly, most of it didn’t land. A recurring sketch was a single joke milked to a dry pulp but recurring in every episode. One star seemed too willing to slip into a familiar irate mode. The writing room sketches, meanwhile, simply inspired the thought that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be treated with care. Instead, the series struggled painfully to find the right tone, lumbering from strangely jaunty, somewhat mannered farce to inevitably, real-life horror. Twisted? Arguably. A total mess? Very much so.

The Maths Genius Thriller

We love the lead actor … but did we believe him playing the most brilliant maths genius in history, a man so smart he’s on the brink of a breakthrough that could ruin society? No! This globe-trotting thriller about government agencies spying on – and killing off – intellectuals frankly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the content creator renowned for sexual escapades as she prepared for her most extreme feat yet. What on earth would motivate her? What we craved was way more examination of her actual psyche, plus those of the men in the queue. They could at least have interviewed the now-famous mum who showed up to haul her son away from the queue. What we got was disturbing imagery and zero critical analysis of her infamy whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Alexander Nelson
Alexander Nelson

A linguist and writer passionate about exploring how language shapes culture and communication in the digital age.